a5c7b9f00b Max is travelling in a post apocalypse Australia where Gasoline is the most valuable commodity. He becomes involved in a struggle between bandits and a town that has build defenses around a small refinery. He must cross the no man's land several times to allow them to make a dash for freedom, pursued by the bandits in their vehicles.
Roaming the highways of post-apocalyptic Australia, years after he avenged his wife and son and his partner who were murdered by the motorcycle gang led by the evil Toecutter. Burnt out former Australian policeman Max Rockatansky, now known"The Road Warrior" searching for sources of fuel, stumbles upon a gasoline refinery home to a community of survivors who are struggling for survival and finds the community is being terrorized by a band of brutal motorcyclists led by The Humangus and his finest warrior, Wez, who bid to loot all the gasoline from the refinery for themselves. The community hires Max,Max agrees to help the community transport the gasoline across the highway and fight for freedom,they are pursued by the Humangus and his warriors.
But most of all, I remember the Road Warrior. By this time, many people have forgotten that this set the standard for kinetic action on the roadways. The memories fadethe years go by, new action films are released, such"Speed"(94), which seem to set new standards. But, it's not really the case. The Road Warrior has yet to be bested, and no amount of money, computer technology or loud noises will ever accomplish the deed. Nothing will ever capture the apocalyptic intensity or, most of all, the sheer elegance of combat on the roads,depicted here. "Raiders of the Lost Ark"(81), for example, captured a more frenetic goofy-style action, also relentless, but not with the level of tension. It's exciting, sure, but it doesn't tie your stomach up in knots, leaving you drained yet begging for more.<br/><br/>The sequel to "Mad Max"(79) - also a unique, tense experience - begins with an unusual prologue, giving the viewers a historical background on only half the screen. We are set up for a bombastic adventure, createda new mythology for our perusal. Iconic figures abound, beginning with Max (Gibson) himself, of course. Here is the quintessential wandering loner hero/cowboy/samurai: he is striking - damaged both physically & mentally - but an ultimate survivor. Here are his foes: a scarred, massively-muscled atomic-age conqueror and his dogs, garbed in battle-dress for instant death and destruction. Here is his conscience: the last vestiges of civilization grouped in a makeshift fort for a final gasp of decency. When these three factions clash, it's the end of the worldwe know it. Welcome to the new world of The Road Warrior.<br/><br/>The Road Warrior influenced the sub-genre of post-holocaust science fiction throughout the eighties. There were numerous imitators, mostly low-budget efforts, and none of them came close to succeeding at this level. I hope not too many people continue to forget where it all began for this thrilling corner of the sci-fi adventure genre. It is to our downfall and regret that we forget.
"My life fades. The vision dims. All that remains are memories. I remember a time of chaos… ruined dreams… this wasted land. But most of all, I remember The Road Warrior. The man we called "Max." To understand who he was, you have to go back to another time… when the world was powered by the black fuel… and the desert sprouted great cities of pipe and steel. Gone now… swept away. For reasons long forgotten, two mighty warrior tribes went to war, and touched off a blaze which engulfed them all. Without fuel they were nothing".<br/><br/>Possibly my favourite quote from the series lies in the opening narration of "Mad Max 2: The Road Warrior". Mel Gibson has little to no dialogue throughout the film, and the whole movie has the feel of the circus. Made on a budget of 400,000 Australian dollars, Director George Miller was somewhat unhappy with his time making the first "Mad Max" (1979). The budget was very small for the many hefty stunts, and after failing to make a "rock and roll" movie titled "Roxanne", he decided to return to Max knowing he could do a better job. The result is "The Road Warrior", complete with a 4.5 million Australian dollar budget, influenced by the works of Akira Kurosawa and making "Apocalyptic Punk" popular in many other forms of media (One fan in Australia has an entire museum dedicated to it).<br/><br/>Max (Mel Gibson), is now driving aimlessly across the wasteland in his V8 Interceptor with an Australian Cattle Doghis only companion (Whom production actually saved from being put down). Fuel is now very, very scarce and ammo for his weapon of choice (A sawn-off shotgun) is practically gone. After successfully chasing off certain marauders (Among them is 1985's "Commando" villain Vernon Wells), Max stumbles across the chance to hopefully gain fuel from a group at an oil refinery. Unfortunately all are under threat from a pursuing biker gang led by the villainous muscle-bound 'Lord Humungus' (Kjell Nilsson).<br/><br/>That could easily be a plot to a Kurosawa movie (It even includes a few classic screen wipes). The beauty of "Mad Max 2" is that the plot is so simple, yet the style is so unique. Australian composer Brain May returns from the first movie to score this one, definitely incorporating much more of a faster pacing into the many spectacular chase scenes. Costumes range hilariously from hockey gear to "assless" chaps, and characters and personalities are established swiftly even with no real development. Lastly the stunt work becomes even more daring and intricatethe action continues to progressively one up itself.<br/><br/>Final Verdict: I know this is easily the most boring review you have ever read, and I've struggled hard to find something negative but I just can't. "The Road Warrior" is a masterpiece in simplicity and I can simply watch it again and again without hesitation. I'm sure someone rational could easily sit me down and tell me what's wrong with it, but every time I watch it I am simply glad every minute exists just the way it is. 10/10. "Mad Max 2" is certainly somewhere in my top 100 all time movies.
In its stripped-down, cannily cinematic way, it's one of the most imaginative Australian films yet released in this country. It has no pretensions to do anything except entertain in the primitive, occasionally jolting fashion of the first nickelodeon movies, whose audiences flinchedstreetcars lumbered silently toward the camera.
Half a decade after he killed the motorcycle gang that slew his wife and son. Max (Mel Gibson) a cynical and selfish wanderer whom aimlessly drives across the barren highways of Australia learns from a deranged pilot called The Gyro Captain (Bruce Spence) about a nearby petrol refinery which is besieged by a gang of savage warriors led by the masked Humungus (Kjell Nilsson) that wants the petrol from the refinery for themselves. Max manages to enter the petrol refinery and makes a deal with the leader of the refinery Pappagallo (Michael Preston) to find a truck, so the people running the refinery can safely transport the petrol across the highway whilst evading The Humungus and his warriors and so Pappagallo and his people can travel to a safe place, which in return, he'll be given petrolpayment and hit the road and move on. After, Max manages to find a truck and drives it back to the refinery, Max is injured in an ambush and is nursed back to health and a reluctant Max agrees to drive the truck and soon, Max, Pappagallo and his people are pursued across the highway by The Humungus and his warriors which becomes a high speed fight for survivalThe Humungus and his warriors will stop at nothing to get to steal the petrol for themselves. No. In the US r-rated version some short plot sceneswellsome scenes of violence, which had to be cut in order to get an r-rating, are missing. This version has been released on DVD, Laserdisc and VHS in the USA. In early VHS times a few European releases (e.g. Germany and UK)wellthe Australian version offered the so called unrated-version. Later then, new re-releases based on the cut US-Master have been released in these countries which lead to the fact that the original unrated copies vanished more and more.<br/><br/>Until now only one version has been released on DVD and it's the r-rated-version. The reason for this, is the samethe later VHS re-release being only the r-rated version: The US-Master has been used for every DVD-print on the planet (although there are rumours that the first Japanese DVD had the unrated version).<br/><br/>But there is some light at the end of the tunnel: At least the new HD-releases (HD DVD and Blu-Ray) offer a slightly longer version. This version includes the scenes that had to be cut to achieve an r-rating. However it seems that even the HD-releases still lack the short plot scenes. According to director George Miller on the Blu-ray commentary track, costume designer Norma Moriceau was given very few limitations on how to design the film's unique outfits. Miller said he wanted the "clothing" of the future to look post-apocalyptic & pieced together from whatever the wearer could scrounge up from anywhere they happened to be. Moriceau had the idea of using American football shoulder pads & clothing she bought from sex shops (like Wez' seatless leather pants).<br/><br/>As farMax's outfit goes, it is heavily modified from the original leather uniform he woreone of the "Bronze" policemen in the first film. Each alteration has a unique origin:<br/><br/>* The sleeve of his jacket is missing since he had his arm run over in the first movie and medics would have cut the sleeve off rather than remove it by pulling it over the injured arm.<br/><br/>* His leg brace is due to his knee cap being shot through by Bubba Zanetti in the first movie.<br/><br/>* His spanner and tool harness is for running repairs on the V8.<br/><br/>* His driving gloves are missing the fingers on the index and middle finger on both hands, this may be so he can easily retrieve and load shotgun shells, it may also be due to wear and tearthe gloves have several more holes. Cutting the fingers off the gloves would be easier than repairing any holes. There's different ways of interpreting this. One argument is that he felt he owed them for patching him up and not leaving him to die in the desert. Another is that he is stillcynical and misanthropiche was before his Interceptor was destroyed and realises that if he doesn't drive the tanker he'll be left behind to the mercy of the Humungus' Dogs of War. It's also possible that Max had long had a death wish and the only thing that kept him going was protecting his car and his dog and, having lost them, he decides he no longer has any reason to live and maywell go out in a blaze of glory, given the slim chances of the small crew that was riding & defending the tanker. Possibly he also wanted revenge on the Humungus gang for killing his dog and destroying his car, and the best revenge he could enact on them, besides killingmany of thempossible, was to make sure they didn't get the gas either, so that they too were left without getting what they wanted. His line "Believe me, I haven't got a choice" when asked why he wants to drive the truck leaves his motives ambiguous. Another interpretation is that since everything he had is gone ("got all I need here") referring to his vehicle, he had no choice but to drive the rig and hopefully get a new vehicle out of it. Because of his past, being with others is not an option.<br/><br/>However the voiceover at the beginning states that this was Max 'learning to live again'. Noticeably he saves the Feral Kid and spares the life of the Gyro Captain, ultimately he is the saviour for the settlers whom he realises are the hope for a new and better world. Whilst the original Mad Max featured the crumbling of civilization and Max's loss of humanity all of the sequels feature him regaining his humanity and restoring what was lost. However he does not go with the settlers in the end suggesting the process is still far from complete. <br/><br/>The theme of a burned-out loner helping out a rag-tag group of people is an old one in cinema. Some other movies to watch for similar themes include The Seven Samurai & Yojimbo by Akira Kurosawa, and also countless westerns. The novels of Mad Max 2 and 3 give some background to Max' history: in the 2nd book Max remembers his boss losing control of the MFP after Max's wife and son were killedsociety fell apart further. In the 3rd novel it states that after the death of his family and his revenge on the Toecutter's gang "the world had finally blown itself to Hell a few weeks later it had seemed only fitting. He had taken off alone into the wastes and lived there ever since". An Australian Cattle Dog or "Blue Heeler",it's known in its native land. The dog the producers got for the film was known simply"Dog" and was retrieved at a local pound where he was scheduled to be euthanized the next day. The production's animal wrangler (trainer) found that the dog could be easily trained for the film. After the film was done, it found a home on a local ranch. "THE VERMIN HAVE INHERITED THE EARTH". It was likely painted on there by someone who thought of marauders like Wez & the Humungus to be the vermin of the world following the apocalypse, the type of thugs who rape & kill for fuel. In the middle of the 80s Mad Max 2 got edited in a special version for TV. The first channel which aired this version was NBC, later the Australian Network 10well. This version is censored in nearly every scene containing violence but offers different camera angles and complete alternative scenes which are unique in this way. These scenes were re-inserted to the movie to enlarge him to its original runtime whereas some of these scenes would have been good for the original versionwell. As most movie fans should know, Mel Gibson's appearanceThe Road Warrior had to be softened in two scenes (arrow in the arm + boomerang in the head) in order to receive an R-Rating. The original version also features some more plot material. Papagallo's motivational speech is longer in three parts.
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